Penny (2007) Digital, Adobe Illustrator.
First - the inspiration is a ferret we live with (it's impossible to own something that habitually escapes). They are very calligraphic creatures, they almost seem to have been designed with brushes in mind. Odd, as their hair would certainly make a good artist's brush.
In any case, as I have spent a good bit of my time doing both pen and brush calligraphy, I have wanted to try and capture that essential mustelid line, which is so liquid, moreso even than Steinlen's cats. This would be my first attempt, consider it a figure study. It's all done with vector lines in Illustrator, mouse guided, as the stylus is still in parts unknown (I ought to just order a replacement).
If I ever get my sumi-e brushes unpacked, I'll try a real brushwork portrait of her. I'd be ashamed if I did not. Pixel pushing is a skill that still feels like cheating to me, no matter how hard it is and no matter that my hand still guides the tools. Maybe it's the "undo" feature that makes it feel that way.